Archive for the ‘Laughter on the 23rd Floor’ Category

Goodbye, The World

Wednesday, July 21st, 2010

Today is my last day as a reporter for The World newspaper, so I’m feeling a little nostalgic. I’ve written a lot of articles and met a lot of interesting people in my time here. I could recount many of them, but this is a blog about acting, so instead I will give you my top five experiences in the local theater.

5. I love baseball, so it was a natural that I would go out for Damn Yankees. But as much as I enjoyed playing Joe Hardy, the more memorable experience was getting to perform Abbott & Costello’s Who’s on First routine for the Little Ole Opry comedy team last summer with Tim Novotny. 

4. Performing before sold out crowds is not unusual for Little Ole Opry, but Little Theatre on the Bay hadn’t seen a sell out for a musical in 18 years until our second-to-last matinee with The Wizard of Oz. Then we did it the following week. Standing backstage waiting for the shows was electrifying.

3. Before the last show of Anything Goes, we crammed the entire cast into the women’s dressing room (don’t worry, everyone was dressed) and we had a champagne toast. Jim Kemp had the most memorable line, saying it felt good to be part of a hit show. After the curtain fell, I got to tell the audience what a great guy our director Byrell Justice was. And how much he yelled.

2. The night before we closed, my parents came to see the show. I hadn’t told them I was playing the lead role of Billy Crocker, so the look on their eyes when I came out after bows was priceless. I didn’t know my mom could hug so tight.

1. Laughter on the 23rd Floor was a great show, especially because it involved co-director Anna Weidemiller. But the most memorable experience I’ve had in local theater came the fall of 2008, when she returned to the stage after a serious neck injury with Little Ol’ Big Band. She couldn’t dance any more, but she could still sing. And of all the singers in the group, I was the one who got to sing a duet with her. It was awesome.

A different take on Simon

Monday, February 22nd, 2010

I’m usually pretty exhausted after a performance, but I had no trouble trudging back out on stage to talk to some North Bend high school theater students after a production of Laughter. It’s always nice to have an audience, but especially so when they are particularly interested in the craft. We offered some pointers and shared some jokes about backstage hi-jinks.

North Bend's female thespians gather for a girls' night out during The Odd Couple.

North Bend's female thespians gather for a girls' night out during The Odd Couple.

 

 

Since they’d taken the trouble to see our show, I figured I’d return the favor, so Michelle and I headed over to NB High on Friday to see their Neil Simon production, The Odd Couple. I’d like to think that our words of wisdom helped, but I doubt it. The credit really belongs to director Marcia Marchant and the actors who brought out Simon’s humor. Their timing was impeccable and their characters were believable. My one criticism was I missed several lines because they didn’t wait for the laughter to die down.

 

Lauren Dawson, left, and Kortney Potts make up The Odd Couple in NBHS' production.

Lauren Dawson, left, and Kortney Potts make up The Odd Couple in NBHS' production.

 

 

The thing that I have been most impressed about in going to see shows at North Bend and Marshfield is how the students stay in character even when they know their friends are in the audience. There were brief moments when they hammed it up, like when Lauren Dawson adjusted herself, or Taylor Marchant added a little extra eyebrow flutter to his Spanish hottie, but for most of the show I thought I was watching a group of my peers.

From Manhattan to Kansas

Tuesday, February 9th, 2010

Talk about a twister.

Last night marked the first rehearsal for Wizard of Oz since Laughter on the 23rd Floor closed. When I arrived, the set looked just like it had when we came out for our bows on Saturday. But within 15 minutes, the tables and chairs were gone, picture frames had come down and all that was left were the yellow walls. 

There was no time for nostalgia, though, because we had another play to work on. Fittingly, the first scene we blocked is the scene in which Dorothy is whisked away to Oz by a funnel of wind.

While the stage shifted appearances, the actors mostly stayed the same, just in different roles.

Instead of playing a hypochondriac, Jeff Roberts played the cowardly lion. Tim Novotny ditched the director’s hat and put on the Tin Man’s top. And Byrell Justice left the stage completely to give directions. Jim and Joyce Kemp, who had been stage hands, became Uncle Henry and Aunt Em. 

And while Saturday we put on a two-hour production, complete with props, accents and makeup; Monday we just focused on one scene on a bare stage with scripts in our hands.

We have a long way to go, but it won’t be long before we’ve created a whole new world on stage, complete with flying monkeys, munchkins and, yes, a tornado. 

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End of the run

Monday, February 8th, 2010

The end of a show always comes too suddenly for me. While the run-up to opening night takes months, after the curtain closes for the last time, there’s a cast party and then everyone goes his separate way.  The fictional world everyone’s spent so long developing is gone. 

 

The set for Laughter on the 23rd Floor before the final performance.

The set for Laughter on the 23rd Floor before the final performance.

 

 

It took me a long time to get over the first show I did here, Anything Goes. I would try to go to sleep and my lines would keep running through my head. When I got home from work, I’d actually miss rushing through dinner to get to the theater on time. But mostly I missed seeing everybody in the cast.

When you get involved in a show, you can spend more time with theater people than you do with your family. They become like a family. And when a show ends, you can’t wait for another one. You forget about all the long nights, the sore throats and tired feet. All you want to do is brush up a monologue for your audition.

I felt a twinge of regret this morning knowing that the Laughter on the 23rd Floor world had come to an end. But I’m not too broken up about it, partially because I have new lines to learn.

I have rehearsal tonight for Wizard of Oz. Only 10 weeks until opening night.