Archive for the ‘Wizard of Oz’ Category

Goodbye, The World

Wednesday, July 21st, 2010

Today is my last day as a reporter for The World newspaper, so I’m feeling a little nostalgic. I’ve written a lot of articles and met a lot of interesting people in my time here. I could recount many of them, but this is a blog about acting, so instead I will give you my top five experiences in the local theater.

5. I love baseball, so it was a natural that I would go out for Damn Yankees. But as much as I enjoyed playing Joe Hardy, the more memorable experience was getting to perform Abbott & Costello’s Who’s on First routine for the Little Ole Opry comedy team last summer with Tim Novotny. 

4. Performing before sold out crowds is not unusual for Little Ole Opry, but Little Theatre on the Bay hadn’t seen a sell out for a musical in 18 years until our second-to-last matinee with The Wizard of Oz. Then we did it the following week. Standing backstage waiting for the shows was electrifying.

3. Before the last show of Anything Goes, we crammed the entire cast into the women’s dressing room (don’t worry, everyone was dressed) and we had a champagne toast. Jim Kemp had the most memorable line, saying it felt good to be part of a hit show. After the curtain fell, I got to tell the audience what a great guy our director Byrell Justice was. And how much he yelled.

2. The night before we closed, my parents came to see the show. I hadn’t told them I was playing the lead role of Billy Crocker, so the look on their eyes when I came out after bows was priceless. I didn’t know my mom could hug so tight.

1. Laughter on the 23rd Floor was a great show, especially because it involved co-director Anna Weidemiller. But the most memorable experience I’ve had in local theater came the fall of 2008, when she returned to the stage after a serious neck injury with Little Ol’ Big Band. She couldn’t dance any more, but she could still sing. And of all the singers in the group, I was the one who got to sing a duet with her. It was awesome.

And the winners are…

Monday, June 21st, 2010

To say “The Wizard of Oz” did well at the Masque Awards on Saturday would be an understatement. The only category that didn’t go to a character in the spring smash was for best newcomer, which went to Gordon Freid for his role in “Broadway Bound”. But Gordon was certainly familiar to the cast of Wizard, as his makeup magic made sure audiences knew they weren’t in Kansas any more.

Best cameo went to the Munchkins, thus fulfilling my prediction from last week.

Cassie Justice took home best supporting actress for her Wicked Witch, while Jeff Roberts collected the male version for his Cowardly Lion. (He had a bit of an edge in the category, as he was also nominated for his Ira Stone character in Laughter on the 23rd Floor).

Best Actress went to Alyssa Birrer for her Dorothy Gale, while my Scarecrow took home the plaque for best actor. Byrell Justice might have been frustrated that he didn’t get the nod for his portrayal of Max Prince in Laughter (he body-slammed me after the ceremony), but he didn’t go home empty-handed. He got the award for best director, best set design and he got the nod for Best Man, having directed two of the season’s three shows while starring in the third. He also broke the record for longest acceptance speech, running a full 13 minutes, ending with a tribute to his wife, Cassie, who won the Best Woman award.

This blog even got a shout out from the venerable, matriarchal, emcee Connie Nipgen.

Hits don’t just happen

Tuesday, May 18th, 2010

The night before The Wizard of Oz opened I made it to the theater early and found Byrell hanging out in the lobby. We chatted for 10 minutes about nothing in particular, but there was something about the conversation that struck me.

As I was driving home that night it dawned on me that was the first time in nearly three months that Byrell had been himself. 

Byrell is very passionate about theater. When he takes on a show, he puts all his energies into making it great. No, not great. The best.

That means late nights putting the set together, learning practically the entire script by heart and dealing with the unforeseen complications that invariably hit a show.

He also gets tough. He expects the same level of commitment from his actors as he puts in, which can lead to problems when people can’t make rehearsal or make too much noise off stage. The change was particularly noticeable since I’d been spending so much time with him on the set of Laughter on the 23rd Floor. He went from being the guy cracking jokes left and right in the green room to being a broken record of “Learn your lines” and “Project!”

But when the theater’s leadership is touting your show as a surefire hit before the start of rehearsals, I can understand why a director would take his job seriously.

So it was nice seeing a sliver of Byrell’s normal self return that night before the show. Hopefully now that the show’s over he can rest easy knowing he lived up to the expectations.

Goodbye Yellow Brick Road

Monday, May 17th, 2010

One of the last scenes of The Wizard of Oz really captures how I feel this morning. Not the part where Dorothy returns to her friends and family in Kansas, but when she bids farewell to Oz. 

I said goodbye to my Ozian friends yesterday when we finished our last show. Sure, I’ll see Cassie, Tim, Jeff and Alyssa soon enough. But they’ll never be the Wicked Witch, Tin Man, Cowardly Lion and Dorothy.

We’ll never tromp together through a field of poppies, face off against jitterbugs or do battle in the witch’s castle. I guess it’s the downside of getting to play someone you’re not. Eventually you have to return to your own life, no matter how much you want to stay in the other one.

I won’t miss having a bag glued to my face or having to run into walls. But I already am longing to have one more chance to sing “We’re Off to See the Wizard” with the rest of the gang as the audience claps along.

And I have a feeling I’m not the only one.

When Dorothy says goodbye to her friends in that final scene, we’re all supposed to look forlorn. Yesterday afternoon, for the first time I was aware of, there were real tears.