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Always

Friday, July 23rd, 2010

Goodbye 200x300 AlwaysMy first weekend in Coos Bay, I was faced with a quandary: Had I found a new home, or was I just passing through?

I had made my way to St. Monica Catholic Church and the Rev. Angel Perez completed the Mass by asking if there were any visitors in the pews. They were told to raise their hands to receive a rosary. I kept mine in my lap, but afterward I told Father Angel that his question had left me unsure.

He smiled, gave me a hug and said “You are home!”

The past four years have proved him right. Both in my work and in my free time, I’ve never felt so connected to a community. I’ve cheered the boys on Friday night at Pete Susick Stadium and performed in Mingus Park with the Bay Area Concert Band to open the Oregon Coast Musical Festival. My job has allowed me to become friends with innovative youngsters, opinionated activists and a man who valiantly battled lung cancer. 

But nowhere have I felt more at home than in the theater community. 

A fellow St. Monica choir member, Kay Pace, suggested I audition for my first play, Anything Goes. Little did I realize she was inviting me into a family. The actors in this community are a talented bunch, but their theatrical abilities pale in comparison to their generosity. I’ve never spent a holiday by myself and know a home-cooked meal is only a phone call away.

These friends and the many others I’ve made make my decision to leave all the harder. By the time you read this, I will have left The World and will be in the process of moving to Davis, Calif., to study law.

I’ve enjoyed my time at The World, just as I relished playing Billy Crocker, Joe Hardy, Lucas Brickman and the Scarecrow. But actors can’t play the same part forever, and I’m ready to try on a new role. 

That doesn’t make leaving any easier.

It’s appropriate, though, that my last two shows at Little Theatre on the Bay featured characters faced with having to bid farewell to friends. So I hope you will forgive me as I end my final column by borrowing a line from The Wizard of Oz:

Good-bye, Coos Bay. I’ll think about you always.

Goodbye, The World

Wednesday, July 21st, 2010

Today is my last day as a reporter for The World newspaper, so I’m feeling a little nostalgic. I’ve written a lot of articles and met a lot of interesting people in my time here. I could recount many of them, but this is a blog about acting, so instead I will give you my top five experiences in the local theater.

5. I love baseball, so it was a natural that I would go out for Damn Yankees. But as much as I enjoyed playing Joe Hardy, the more memorable experience was getting to perform Abbott & Costello’s Who’s on First routine for the Little Ole Opry comedy team last summer with Tim Novotny. 

4. Performing before sold out crowds is not unusual for Little Ole Opry, but Little Theatre on the Bay hadn’t seen a sell out for a musical in 18 years until our second-to-last matinee with The Wizard of Oz. Then we did it the following week. Standing backstage waiting for the shows was electrifying.

3. Before the last show of Anything Goes, we crammed the entire cast into the women’s dressing room (don’t worry, everyone was dressed) and we had a champagne toast. Jim Kemp had the most memorable line, saying it felt good to be part of a hit show. After the curtain fell, I got to tell the audience what a great guy our director Byrell Justice was. And how much he yelled.

2. The night before we closed, my parents came to see the show. I hadn’t told them I was playing the lead role of Billy Crocker, so the look on their eyes when I came out after bows was priceless. I didn’t know my mom could hug so tight.

1. Laughter on the 23rd Floor was a great show, especially because it involved co-director Anna Weidemiller. But the most memorable experience I’ve had in local theater came the fall of 2008, when she returned to the stage after a serious neck injury with Little Ol’ Big Band. She couldn’t dance any more, but she could still sing. And of all the singers in the group, I was the one who got to sing a duet with her. It was awesome.

Bearing the bear

Friday, July 16th, 2010

Breathe through the eyes.

This was the sage advice I received when I took on my latest role. It may sound like a Buddhist meditation challenge, but the suggestion really proved useful.

CareAvan 18 300x199 Bearing the bear

Finding a seat is tricky as Share Bear.

 

I wasn’t breathing through my eyes, of course, but through about three inches of fabric made to resemble eyes. You see, when The World’s Care-a-Van wheeled through town last Saturday, that was me clanging the bell in the North Bend fire truck. I was the Share Bear.

I wound up at the head of the parade thanks in part to my theatrical reputation and in part because of Michelle. She works at Oregon Coast Community Action, which partnered with The World on the food drive and has the Share Bear as its mascot. But as the two organizations prepared for last Saturday’s event, they had a problem. The Bear’s principal wearer, Morgan Filbert, was leaving the day before the Care-a-Van and no one else seemed to want to put on the duds.

I volunteered because I’ve secretly always wanted to dress up as a mascot. I only realized why the role might not be a popular one when I put on the costume. The head is huge and gets rather warm when you’re inside.  

I couldn’t see or hear very well, either, but once I got on the fire truck I had a great time. I held the windshield with one hand, the rope to the bell with the other and waved when I managed to keep my balance. Pedestrians and motorists aplenty waved as I passed and there was even a boy near the Coos Bay Boardwalk who distinctly yelled out “Hi Share Bear!”

CareAvan 20 300x199 Bearing the bear

Ready to roll.

 

And with wind whipping by at a brisk pace, I had plenty of air to breathe through my eyes.

Homeless thespians?

Friday, July 9th, 2010

I’ve been having trouble rehearsing my lines for Opry comedy team this week. The skits aren’t terribly challenging, but my mind keeps drifting to thoughts about the future of Little Theatre on the Bay.

We have plenty of talented actors, which should guarantee great shows for years to come. But the bricks and mortar that house us performers have seen better days. A leak in the roof drips water on stage. Mold makes life miserable for actors with allergies. A lot of people praised the book contraption used in “The Wizard of Oz”, but it was practically a necessity because the stage’s fly system is damaged.

The theater’s president has said the building might not make it through the next decade because of these and other problems. But ADA requirements could make repairs more costly than building a new theater.

The irony is our community has already built a state-of-the-art facility in Coos Bay. The Hales Center for the Performing Arts at Southwestern Oregon Community College is an actor’s dream. Its stage is larger than LTOB’s and doesn’t slope. There are two huge dressing rooms, and multiple bathrooms. And the seating capacity exceeds LTOB’s, which would have come in handy for Oz, when we had to turn people away on two Sundays.

I’ve asked people why the theater doesn’t go to the college. They say renting the space costs too much. That’s unfortunate, especially considering the college axed its theater department last year due to budget cuts.

When two local theater troupes have already lost their homes and LTOB is facing huge capital costs, the last thing this area needs is a dark stage.